Old Man and the Sea (2021) 90′
Opera for 8 leads, choir, solo cello and orchestra. Libretto by Royce Varek. Directed by Robert Wilson. Workshopped at The Watermill Center in the summer of 2016 and 2017. In progress.
Sensorium Ex (2020) 90′
Chamber opera for Atlanta Opera with Brenda Shaughnessy. Produced by Beth Morrison Projects. In progress.
Film Stills (2020) 30′
For mezzo-soprano Eve Gigliotti. Libretto by Royce Vavrek. Based on photographs by Cindy Sherman and staged by R.B. Schlather. Part of a series of short operatic monodramas by various composers. In progress.
Edward Tulane (2019) 90′
Full scale opera. Features an ensemble cast, with libretto by Mark Campbell, and directed by Eric Simonson. Commissioned by Minnesota Opera. In progress.
The Imaginary World Of Wild Order (2017) 25’
For mixed choir, 2 marimbas, and string quartet. Commissioned by Choir of Trinity Wall Street. Text by Brenda Shaughnessy. Mass.
Gilgamesh (2016) 95′
For coloratura soprano, soprano, countertenor, baritone, bass baritone, choir and children’s choir, and orchestra. Commissioned by Friends of Madame White Snake. Produced by Beth Morrison Projects. Opera.
The Hubble Cantata (2016) 60′
For mezzo soprano, baritone, ensemble and choir. Text by Royce Vavrek. Commissioned by VisionIntoArt. Produced by Beth Morrison Projects. Cantata.
Aging Magician (2015) 70′
For male voice, string quartet, and children’s choir. Commissioned by the Walker Art Center and Krannert Center. Text by Rinde Eckert. Produced by Beth Morrison Projects. Opera Theater Work.
Baritone and quartet trio of songs available.
Full work available.
De Deo (2013) 20′
Chamber opera in progress. For soprano, mezzo, tenor, bass baritone, and small choir and string quartet. Text by Donna Di Novelli. Opera.
Oceanic Verses (2012) 35′ version and 65′ version
Orchestral version for four soloists, full orchestra and choir. Text by Donna Di Novelli. Operatic Tableau. Instrumentation: 2 flutes, 2 oboes, 2 clnts, 1 bass clarinet, 2 bassoon, 1 contra bassoon, 4 horns in F, 3 trumpets in B flat, 3 trombones, 1 tuba, timpani, percussion, harp, piano, strings and electronics. roduced by Beth Morrison Projects. Opera Tableau. P
Sisters (2018) 7′
For children’s chorus and string quartet (additional arrangements made for a cappella or vibes + solo string instrument). Commissioning project with Brooklyn Youth Chorus for Silent Voices II. Text by Brenda Shaughnessy.
The Glass Box (2018) 15′
For unaccompanied children’s chorus + SATB. Commissioning project with Young People’s Chorus of NYC and New Haven Festival of Arts and Ideas. Text by Royce Vavrek.
The Colorado (2015) 15′
For Roomful of Teeth, (vocal octet), cello, percussion and electronics. Commissioned by VisionIntoArt. Text by William deBuys. Choral Work.
Epiphany (2015) 25′
For children’s choir, marimba and string quartet. Text by Niloufar Talebi. Commissioned by Brooklyn Academy of Music and Young People’s Chorus. Choral Work.
Solitude (1999) 8′
For chorus, commissioned by The New York Concert Singers for The American
Composers Orchestra’s Immigrant Voices Series.
Still (2017) 5′
For two voices (sopranos or mezzo and countertenor) with piano or string quartet arrangement. Commissioned by Heather Fetrow and Mila Henry for “Voices of Women: From Unknown to Renowned”
Yoani Cycle (2014) 20′ (4 Different Movements)
For mezzo, electric guitar, cello and electronics. Text by Royce Vavrek. Song cycle.
Union (2014) 4′
For Soprano and Piano. Written for Isabel Leonard, as part of the Aids Quilt Songbook. Text by Royce Vavrek.
Wake Up (2010) 3′
For singing pianist. Commissioned by MATA for Gabriel Kahane. Text by Allison Carter.
Oceanic Verses (2009) 15′
Chamber version. Commissioned by Carnegie Hall, for soprano and mezzo, clarinet, violin, viola, cello, electric bass, percussion and electronics. Song cycle.
Cut Him Out In Little Stars (2009) 10′
For soprano and piano. Commissioned by Sarah Wolfson and Concert Artist Guild. Inspired text from 24 Italian Songs and Arias. Song Cycle.
Body Maps (2007) 15′
For cello, soprano and electronics. Commissioned by the Whitney Museum Live.
Senzenina (2007) 4′
arr. traditional. For soprano, clarinet, string trio, percussion.
Dog:God (2007) 6′
arr. of Cafe Tacuba song. for soprano, clarinet, string trio, percussion, and electronics.
Sounds (2007) 30′
For soprano, clarinet, string trio, percussion, and electronics. Commissioned by WNYC. Song cycle.
Love Sonnet (2002) 5′
For soprano and cello. Text by Pablo Neruda.
Yet Again (2002) 5′
For soprano, clarinet and piano Kandinsky prose.
Cuantas Veces (1998) 6′
For baritone and piano. Text by Pablo Neruda.
La Niña De Madera (1998) 8′
For soprano & piano. Text by Pablo Neruda.
Diametrically Composed: for Allison Loggins-Hull 10′ (2018)
For flute and piano. Commissioned by Allison Loggins-Hull.
Music from the Suitcase Album: for Yevgeny Kutik (2018) 3′
For solo violin and piano. Commissioned by Yevgeny Kutik.
G-Force (2013) 10′
For string quartet and vibraphone.
Listen, Quiet (2012) 15′
For cello and percussion and electronics. Commissioned by the Juilliard School for Beyond the Machine.
Spell (2008) 6′
For clarinet (or violin), cello, and vibes. Performed by the Chicago Symphony Music Now series and at WNYC’s Greene Space. Commissioned by WNYC.
Without (2008) 15′
For string quartet. Performed by the Kronos Quartet.
As Sleep Befell (2007) 13′
For clarinet, string quartet, percussion, with or without voice. Performed at the Whitney Live. For clarinet, cello and vibes. Flexible orchestration. VisionIntoArt and Helga Davis performing. Commissioned by the Whitney Museum.
Armenia (2007) 6′
For string quartet and electronics. Commissioned by the Kronos Quartet.
Identity Sketches (2003) 15′
For brass quintet. Commissioned by The Monumental Brass Quintet for the Women’s
Commissioning Project, Washington, D.C.
Tango! (2000) 10′
ASCAP 2002 Morton Gould Composers Award
for Double String Quartet and Double Bass. Premiered at The Juilliard School and The ArcLight Theater for VisionIntoArt performances.
One Drop Of Blood In The Snow (1996) 5′
For brass quintet. Premiered at The Juilliard School.
The Hotel That Time Forgot, For Orchestra and video artist (2017) 10′
Instrumentation: 2 flutes, 2 oboes, 2 clnts, 1 bass clarinet, 2 bassoon, 1 contra bassoon, 4 horns in F, 3 trumpets in B flat, 3 trombones, 1 tuba, timpani, percussion, harp, piano, strings. Commissioned by the American Composers Orchestra
As Sleep Befell For Orchestra (2007) 13′
Instrumentation: 2 flutes 1 oboe 1 clarinet in B flat 1 bassoon, 4 horns in F, 2 trumpets in
B flat, 2 trombones, 1 tuba, timpani, percussion, strings, electronics.
Amanecer (2000) 4’
Instrumentation: 2 flutes 1 oboe 1 clarinet in B flat 1 bassoon 4 horns in F, 2 trumpets in
B flat, 2 trombones, 1 tuba, timpani, percussion, piano, strings. Tucson Symphony
Barcarola (1996) 15’
Instrumentation: 2 flutes, 2 oboes, 2 clnts, 1 bass clarinet, 2 bassoon, 1 contra bassoon, 4
horns in F, 3 trumpets in B flat, 3 trombones, 1 tuba, timpani, percussion, harp, piano,
strings. Juilliard Orchestra performing.
Liaisons: Re-Imagining Sondheim from the Piano:for Anthony de Mare (2019)
For solo piano, commissioned by Anthony de Mare.
Vento E Sole: Elegy For Jonah (2017) 8′
For solo viola and loop pedal, commissioned by University of Nebraska Lincoln, written for Jonah Sirota, viola.
This score is under exclusivity to the commissioner until late 2018.
Variations on a Spell (2017) 6’
For solo piano, commissioned by UCLA, written for Inna Faliks, piano.
Seurat’s Path (2017) 10’
For solo piano. Commissioned by The Juilliard School and the Morgan Library For The Juilliard School’s Spring 2017 PianoScope performance project: Illuminating Music: Piano Works Inspired by Visual Artistic.
Labyrinth Installation Concertos (2015) 60’
Room No. 35 for solo cello and electronics, and House of Solitude for solo violin and electronics, 30′ each. Commissioned by the Krannert Center for the Arts and VisionIntoArt. Written for Maya Beiser and Cornelius Dufallo. Film by Erika Harrsch and Carmen Kordas.
Klein Competition Works (2015) 16′ (4′ Each)
“Marie-Curie” for violin, “Heloise” for viola, “Ophelia” for cello, and “Mata Hari” for bass. Commissioned by the Irving Klein Competition.
Oceanic Fantasy (2015) 12’
For solo violin, commissioned by Francesca de Pasquale.
Eight Takes (2014) 8’
For solo cello. Commissioned by The New York Philharmonic for their 2014 Biennial.
Walk Forward (2010) 8’
For drumset and electronics. Commissioned by Cory Hills.
Labyrinth (2011) 11’
For violin and electronics. Written for Cornelius Dufallo.
Last Hymn (2007) 7’
For vibraphone and electronics. Written for Pablo Rieppi.
Inngerutit (2007) 5′
For clarinet and electronics. Written for Richard Mannoia.
Limpopo Songs (2005) 12′
Stephen Gosling, piano. Written for Speranza Scappucci.
Deja Que Salga (2004) 10′
For solo piano. Commissioned by Alejandro Vela.
Deja Que Salga (2004) 10′
For solo cello. Written for Jeffrey Zeigler.
Oceano (2003) 7′
Wendy Law, cello.
Samuel Solomon, Nightsong (2002) 6′
For solo five-octave marimba (four-octave version available).
Sympathique (2001) 6′
For solo viola. Recorded by Melia Watras.
Phoenix (2000) 5′
For solo violin.
We Breathe Again (2017) 60′
We Breathe Again (2017), a film for PBS by Marsh Chamberlain, coproduced by Marsh and Evon Peter, featuring Tanya Tagaq, Nels Cline, Jeffrey Zeigler, David Cossin and Cornelius Dufallo.