The Colorado
Roomful of Teeth, Glenn Kotche, and Jeffrey Zeigler
“the music — commissioned from five composers and performed by some of the most innovative soundsmiths around — is specifically tailored to the film’s passionate environmental advocacy and carries equal weight with the visual.”
“Some is outright gorgeous. Ms. Prestini’s choral piece for the section “A Padre, a Horse, a Telescope” sets Jesuit sources — including a Hail Mary in Cochimi, an extinct Native American language — to an ethereal blend of Mexican Baroque music and otherworldly ululations.”
“But the music…! The Colorado’s soundtrack positively radiates optimism.”
“A soundtrack at its most pure, this live score imparted a more resonant sensation than just film or concert alone; the whole evening brought together both sight and sound at the height of their powers.”
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Album info
“the music — commissioned from five composers and performed by some of the most innovative soundsmiths around — is specifically tailored to the film’s passionate environmental advocacy and carries equal weight with the visual.”
The New York Times
“Some is outright gorgeous. Ms. Prestini’s choral piece for the section “A Padre, a Horse, a Telescope” sets Jesuit sources — including a Hail Mary in Cochimi, an extinct Native American language — to an ethereal blend of Mexican Baroque music and otherworldly ululations.”
The New York Times
“But the music…! The Colorado’s soundtrack positively radiates optimism.”
NewSounds
“A soundtrack at its most pure, this live score imparted a more resonant sensation than just film or concert alone; the whole evening brought together both sight and sound at the height of their powers.”
MetLiveArts
